CfP Somaesthetics and Technology: extended deadline July 30
Sometimes the interface between the digital technology and humans is straightforward aesthetic in that technology is used to create, for example, spaces and atmospheres by means of sound and light. Other interfaces, for example, are tracking and visualizing our bodily performance and health status. This influences our values regarding health and body performance, and ultimately our aesthetic relation to our body. GPS signals are tracking our whereabouts, advising us about, local restaurant or cultural and natural attractions or the vicinity of friends in social media.
On the other hand, the fields of social robotics or mixed realty are working with behavioural interfaces that emulate dialogical and social situations. They let us act with and experience technology as the other: our alter-ego. This does not only alter our somaesthetic experience, the social machine also acquires somaesthetic characteristics.
On a higher and more abstract level, technology is used to generate big data arrays through tracking and measuring of anonymised persons and their actions and choices. Here, sensible and perceptual bodies are re-inscribed into and transcended by visualizations of data and its many inherent correlations.
In any case, digital technology and its many differentiated interfaces shape our sensory perception of our concrete life-words and our proprioception. Increasingly, somaesthetics play an important part for the shaping of and critical reflection on complex and effective feedback loops between technology and humans. Acknowledging this role, the journal is interested in questions such as:
* Does our technology-saturated life-worlds foster and necessitate the reformulation of aesthetic theory and practice?
* How does the study of somaesthetics inform the conceptualization, design and use of technology and how is the study of somaesthetics informed by concepts and uses of technology?
* What kind of aesthetics can capture algorithmic data operations and its various feedback loops with the sensible, bodily world?
* How does the study and practices of somaesthetics inform robotics and mixed realities?
* How does the study of somaesthetics foster and critically reflect the ongoing integration and abolition of visible interfaces between digital technology and humans?
* How can and should somaesthetics obtain an ethical stance towards technology and its various devices and purposes?
April 2018: Call for articles
30. June 2018: Deadline articles - extended deadline: July 30.
1.October 2018 Peer-review back
1. November 2018: Deadline finished articles
December 2018: Publishing
Guest Editors: Associate Prof. Cumhur Erkut (Denmark), Associate Professor Sofia Dahl (Denmark, Norway), Professor Kristina Höök (Sweden), Professor Dag Svanaes (Norway, Denmark), Prof. Falk Heinrich (Denmark), Prof. Richard Shusterman (USA)